Tuesday, 20 April 2021

Traditional Drawing - Week 29

 Week 29 - Virtual Tour - Transport Museum

·         For the final week of the term, we were given the option of two vehicle museum locations to do a virtual tour of, of which I was mostly drawn in by the Hull Street life Museum of Transport since it had a wider range of vehicles to choose from.

·         Vehicles are an object type that I personally have never drawn before, so I thought that this might be an interesting exercise in both material properties and perspective.


Initial Sketches:

·         To begin, I virtually walked around the museum to view the various types of vehicles on display. I was drawn to 3, mostly because the angles within the museum were easy to get a full view of the vehicle from. I chose 2 cars and 1 cart.

·         From these sketches, I could gauge already that the bottom right would not be an interesting angle to draw from and would not have an exaggerated perspective to infer movement.

·         This left the ice cream van and the cart, of the two I was especially drawn to the cart since the large ellipses seemed like an interesting shape contrast to the rectangular shape of the cart. I also thought that the front arms (?) of the cart added to the perspective more than the subtle lines of the van, and I thought most people would do a car for this week – might as well be quirky and different.


Initial Sketches


 

Reference:

·         This was the reference I took from the Street life museum. As you can see, the whole cart is dark in value with some areas of subtle highlight. It also has an incredibly intricate painted pattern along the wheels and the sides of the storage area, and as much as I would have loved to sit there for hours making that pattern, I knew from experience that the moment I start adding graphic designs and patterns to things, I start slipping up and getting lazy. I also did not have the time with deadlines quickly approaching, so I kept the patterns to a minimum.

·         The blocks and supports for the cart really assisted in making the perspective of the scene more dynamic, since then the whole cart is on a raised slant above the ground.


Reference


 

Final Piece:

·         For this final piece, I chose to make a differentiation between the supports and the cart in value. This was not on the reference, but I took liberties to make sure the depth of the scene properly read. To do this, I lightened most camera facing planes to make them seem closer, and darkened elements like the back wheel and the underside of the card more dramatically.

·         The shading style I chose for this piece was a crosshatching/hatching style, since I thought it might convey the flat planes of the cart better than a technique such as circling or stippling.

·         If I were to do this again, I would have pushed the contrast further, and maybe add a shadow under the cart to further establish the depth of the image.

·         I was however happy with the outcome of this piece, and I can say this piece only took me about an hour to get done which was great for my deadlines. Considering how much trouble I was having with environments the weeks past; I wonder if that has now paid off in making this piece better since I was just focussing my energy on one object instead of a whole scene.


Final Piece


Final Conclusions + First Year Conclusions:

·         I will cover my plans going forward soon in another blog post, however for now I wanted to touch on and say that I am happy with the overall quality jump that has occurred between portfolio 1 and portfolio 2. I believe it is partly down to my skill set being more geared to doing rendered pieces over technical drawings, however I think that my skills improved from doing the term 1 work and that has spilled into term 2. I think my term 2 portfolio is overall more consistent and stronger, and I took more time this term in applying edits and updates to pieces from feedback so that I could speed up my progress.

·         I will not lie – traditional this year has been hard for me, especially because of Covid hamstringing the in person contact time so the work I initially thought would be a social activity in a group doing a still life became me locked in my room trying to cram a piece in before the lesson online I would have the next day. I am hoping that from both my newfound confidence in drawing and in restrictions being eased by next year, I can find a little more joy and a lot less stress in traditional drawing again.

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